Overview
These are poems from the last millennium. Some date back nearly 20 years, some from late 1999. An overview, you might say.
58th Street
There is a place I can go
Where the world seems like distant dreams
There we start the day with a prayer
Coffee and a smile
There we end the day with a prayer
Discuss and then disconnect
Things we can do nothing about
White walls and shadows
Gold flecks in sky blue eyes
A dancer’s grace
A mystic’s understanding
Shared grace from above
Those eyes took me to snowy fields,
Sunlight then mist through the pines,
Where a tall slender figure
Walks beside a field of monuments, carrying red roses in her arms.
Stop- and watch
Pause and learn.
Winter winds and warm summer clouds-
All alike when she sets the roses down,
Takes me in her arms
And breathes softly.
This is the place I will spend the rest of my days.
Sage
I like the little rewards
I don’t push the envelope
Partial to the manual means
Blurring and pushing
Incandescent
Gravely, it may be
Changing habits,
Like channels,
The gist of it all
Is just once and for all,
Pushed to the side
Once again.
In a million unspoken ways
You’ve asked me to stay out of your territory.
I must decline.
Thanks for your invitation to under achieve.
It is something I do well.
Not this time.
The Timberman’s Yard
That was the summer
That I let my acreage grow.
Violent and untended,
To unite with the Timberman’s
Late at night, watching the trucks roll out of his yard
I would try to drink myself to death
For reason’s I’ve forgotten.
Way late the green fireflies come out,
Only it seems after the billboard yellow ones
Have closed their mating show.
Close to the ground they stay.
I would coax the clouds to rain,
Listen to the bullbat nighthawks
Start their slide down,
Arcing to that low roar.
Down by the old chicken shed
Using all the force of my squishy will,
I’d try to push my neighbors to the south
Farther away,
Wonder how people knew to stay away.
I timed the moon’s passage,
Woke up in my lawn chair
Amidst my litter
And hid all the day away.
Next year I’ll cut and picket fence
Take a job on the Timberman’s lorry.
Next year
It was always next year then.
Sleep
It is necessary
to keep the mind beneath the low clouds,
close to earth.
Not to let it go soaring
off into the stratosphere
of lost chances,
conjecture and fleeting glances.
Hopeless to recapture,
too painful to consider without forgiveness.
sleep comes from low fogbanks,
not lofty flights.
I am wide-awake at 3 in the morning
after attending my own funeral in a dream.
Watching from above
it is St. Phil’s on a rainy morning.
The strangers, why don’t I know these people?
Walk under umbrellas through Mormon park
where hobos sleep in the gazebo.
Lilacs are blooming- early May then.
Inside the church incense hangs;
and- finally a familiar face, the one who hung on the wall and the cross
In my fathers frame
Panis Angelicus and Wayfaring Stranger
Haloed and waiting.
Amen.
Moses
Moses he was building him
A miracle machine
Gonna haul it on the ark
Gonna lay it on a beam
Take it to the temple
(Electrical crude - oil in the pan)
Must have seemed wild
In the Holy Land then.
BC-Anno Domini
Between the new and old
Testaments all binding
That’s what I was told
This ark they cannot find her
Ask the Ethiopians
Tell you down in Africa
They always understand.
Shaman
In this little house
where I should be
the times will change.
I can’t live here always.
It’s a shame.
So go on.
I can’t freeze time like I want to.
There was a Shaman that I met. 2 years ago. He did not think of occurrences and things that would make what is good now, change. He danced and hopped, skipped and jumped around a living room. But he was not a self sufficient Shaman. He knew all these tremendous theories that you will think about when you look up at the stars and you are a long way from the city-
but he has always had women to look after him.
He takes cabs home from the taverns.
Footnotes are obliged to trace
occurrences to their higher planes,
hopefully.
(The afternoon was unraveling. The A.M. optimist was admitting defeat.)
Exposure
I feel like we should dive
As into a pool
Slow motion
Splashes that last for hours
Driblets on private exposures
Spleens objecting
Tongues protruding
Written after witnessing the eradication of Beldar
Old Ernie
Monday at the plant
Sees me watching him watching early A.M. sun slant
Sez, “What light through yonder window shines.”
I say “Breaks. It’s breaks I believe.
If I recall my Shakespeare.”
Tis dawn and Juliet is the Sun.
Ernie replies, “When I lived in Fort Dodge Iowa, this man hadn’t seen his X in 14 years. Threw a brick through her window. Then he drove his car up on her porch.”
Some segue. Does this pertain to Shakespeare
Or the window?
Morning or Juliet or Fort Dodge?
The Maple Kid
I was caught off guard
By the Maple Kid
Oh, the things that he did.
He was your idea, after all.
You left him here.
You never said anything about all this syrup
He’s got your pores, you know.
My old Sycamore Kid was so determined,
His bark and his bite
Just felt so right.
I just neverwood-
Plain and simple fact
Have trained such a Maple Kid
The fine art of attack.
So come take him back
And all of de fences
I won’t say a word
About any past tenses
The night the Bohemians stayed home
They did a pale Pilsner waltz on the sofa
He said “ Here you are with all that extra room in your stockings,
While old Celine is on his third circuit of the town
Wearing grooves in the pavement.”
She smiled and looked past the window.
She said, “ I warned you, baby.
I knew you were a loof,
Out on the lumpy suburbian range.
In a past life you were a person who poured food on your head
Danced with dead chicken skins.
You missed appointments.”
Endover
A friend said, “You should call your work,
Incoherent ramblings.”
He was bothered by not knowing
How many writers’s there were on his block.
He says,” You’ve always covered your tracks with a big smokescreen.
You’re a chameleon, Ezra. A friggin Pizmo clam.”
In the end it turned out
I didn’t like decadence well enough
To make a career out of it.
Couldn’t go the whole nine yards.
So, no mo decadence row
Just samples of you
And vacations too-
Many to mention
Monday
Is a day of surrender..
Sometimes you will backslide
Toward it
And some times hide it all away.
A Monday recluse, with hair shirt and remote.
Left to decide,
Between faith and speculation.
I would say, ”I’ll start tomorrow.”
Watch a million tomorrow’s
Turn into a million yesterday’s.
I stopped letting Mondays
Push me around.
It’s no scarier now than those other days
I’m tougher on Mondays.
I’m lead lined
Brass plated.
God’s word bound.
I seldom stray from my purpose.
But, it’s not just my purpose now.
Sharing is what opens you up
To walk in the light,
You cannot walk alone.
Circles
On the outside of the circle,
Rush back toward
The truths of youth.
Finish this stay here,
With the facts of existence.
On the inside of the circle,
Heal and offer up the hurts
Caused and born
Closing all with passage.
No mourning or second thoughts,
No doubt or spurious guilt.
No sense of a lifespan wasted
Going through the motions.
Bottling up the fear
Of things kept from experience.
All it was was a life
All I took with me were my own days
That is a thing we could not share
Your epithet
For you only
Feral
She asked,” Do you feel like a new soul,
or an old one?
Do you recall any past lives?”
“No.” I replied.
Not human, anyway.
I do remember the pack at my heels
running Reindeer down the slopes of an ancient glacier.
I was canine-
dark and full of fangs
There was moonlight on my Sumatran stripes,
paused motionless before the spring.
A young buck sensing my feral momentum.
I was feline-
shady and whiskered.
Wherever the moon was
you could take it as the last pass;
it’s all just murk and dreams
conjectures no more real than smoke
or mirrors.
Mr. Elemeno
He’s borrowed my temper
Stage presence and grit
I’ll hope more ambition
And common sense: to whit-
The alphabet boy
Is in overdrive now
God give him the wisdom
That words will allow.
Nashville
I’ve wondered why I wound up there
In Nashville,
A city boy from up north,
Coming in on the north bound dog
From Atlanta and points south-
Shuffling out of the rain
From the Bell hotel
Into Tootsie’s.
“Is that Willie’s stool?”
The Ryman was full of shadows then
Ernest Tubb’s was still all vinyl.
At Gruhn’s the Dobro in the window reflected the street lights.
But, I was here to see Hank’s Cadillac.
The old man liked the prisoner’s song;
But when mom was mad at him, he would put on
Seven years with the wrong woman
And sometimes things would fly through the air at him
As he winked at me and slipped out the door.
Grandma gave me
A Luke the Drifter Jr. album.
It had her favorite song
The old rugged cross.
It took me a long time to know how good Hank was
You have to hurt to sing like that.
Rain Crow
When that first gray light of dawn
Flickers down the hill
I always leave you then
You say I always will
Time to make the change again
For that other world
There are truths
And there are deeper truths
It’s the guarded knowledge
The inner workings
Intangibles
You jump through the hoops
Get thrown for those loops
Swell up
Tick down
Bide the slings and arrows
I’ll stay some day
Until the morning has gone
August
(My birth month. End and beginning.)
Something about this time of year
An on the cusp Leo
Summer nearly at an end
Considering inertia,
Mine and theirs.
Can’t control, or be controlled.
The damndest things occur out of the clear blue sky.
Feel the new bite of the north wind.
See the sun slip back from its apogee.
Each night,
Think of old friends,
Out of touch.
Through poverty or wealth
Procrastination or neglect.
“Not if I see you first!”
Leads to hard traveling,
Overindulgence.
Always the old grasshopper
Fiddling.
At least I see the merits
In the ants of the world.
Still as far away from being one as ever.
Acts
Contrite and apostolic
Listening carelessly,
The sin of selfishness
Without impatience,
Promotes the sin of surprise.
So much stubbornness.
Living with someone
Not close to connecting-
Mistaking the yearning and desire at the beginning
For the tools to build a life
Enter a relationship with a promise to be partners
Then look back over the voids and vetoes,
And see the impossibility.
You won’t bring back the smiles,
The friendship that should have gone before.
Those walls are too high
To even gaze over.
Settle for loss
With some understanding.
Or live with sorrow and anger.
Frame
L’ Enfant photographer-
Driving down the road
Framing everything he sees
There’s not that much film.
I’d like a retroactive camera.
In my daydreams I’d go back and click
Click photos of people I’ve long since lost touch with
The events we were involved in.
Find a way to install a darkroom in my mind
There the pictures still rest
Fresh- hanging on the spongy walls,
Tied, like bananas
Delay
So distinguished looking-
I cannot imagine her spending time in a house
That is as much like a hermitage as mine
She is not going to fade from the scene
She read about seeking oblivion
Now, I’ve found it, but expect her to join?
Not gonna happen.
For my only redeeming quality, curiosity-
I may pay dearly.
So, if it get’s too close, deny it.
Talk her into casting a spell over me each night
Pray I can clear her head in the morning.
I can’t remember what you look like
If you’re not right before my eyes
I can’t predict how this will strike you
It may be nothing but lies.
So, you need work or you need imagination
Or you don’t really need at all
We should have examined our predatory natures
Before that first kiss.
So, call me your handy man,
In charge of conquests and shallow waters.
Slack time
“It wasn’t that great.”
Just threw him a bone
Earlier this morning.
Sun comes a little higher on its Helix
It is past the Solstice
Racing past the millennium.
Only a lineal thing, obsessed and excessive,
Caused by impatience.
For every thing there is,
Keeping the Faith
Relieves dereliction.
To keep that anonymity a part,
to enjoy it enough to hesitate.
Forwards and back
Time stumbles.
To keep the independence-the distance
You’ll make better choices
After it’s too late.
Too late for midnight visitors’,
Too late for the spur of the moment.
If it’s premonition
Or premeditation-
Some gratification you want,
Look somewhere else.
Don’t send that aura.
Flat Earth
I plopped two nickels in a pay phone. Behind me there was a buzz and roll of voices beating the heat. In a tavern.
“I was going to suggest that though we were bound to miss the turtle races in Ericson, if we waited a week (at which time I will also be solvent, with concurrent vacations) we could go up to the Burwell Rodeo, and on up to Merrit’s reservoir.”
I guess you can rodeo and baseball yourself over the brink, fishin around there on the high prairie.
If it’s a flat earth I’d like to walk off the edge.
Have they proved it otherwise?
The world is flat.
There are a million edges; they are all over the place.
If you have not seen them, you have not been paying attention.
I sincerely wish that you would speak up in defense of offensive thinking.
I owed it to myself, so (big deal) I walked off the edge a few years ago.
It was a part of being the way you aren’t,
largesse and thank you’s and halt.
It’s not wrong and it’s cleansing and pleasing,
for ten minutes at a time I appreciate it
go to rest with a dim feeling
it will becalm me eventually.
Pray faith brings the bottom line, eternally.
Ten minutes.
The Poem which became lost
This did not occur when I wrote longhand
Beryl Black Beauties
Number two’s
Papers
Lying in stacks on my desk for years
Sometimes succumbing to roving bands of confetti makers
Allowed to peruse
Failing to stay and help clean up
They were pals of the thing that wouldn’t leave
Couldn’t blame them
My work was unpoliced, unpolished, unprincipled.
But I never lost a poem without a scrap to show
Until I went to the computer, just a minute a go
Ate two of my poems
Without a backup
Just the titles remain in my head
Not even an opening line to start with.
I wish I had some computer confetti
I wish I had a hard drive with a heart
If this thing is so damn smart,
It’d choke it back up.
It’s unpunishable. I could sell it,
But I can’t shred of sharpen it
And it stills smiles at me when I fire it up.
Written in 1985 on my first primitive word processor. Garage sale gone.
Edmond
What sort of a man is Edmond Sperry?
Why does he allow his landlady, Mrs. Cummerbund
To dictate his policies.
To infiltrate his personal affairs?
Why is there an enormous umbilical cord
Between their houses?
Passing underneath the hedge
Like buried power lines?
Arrowheads
Micmacs flung far to the south
or a Seminole searching for frostbite;
(They came, unlike the others, from South America.
missing that Bering Strait by a couple of thousand miles)
stray gators across the state line, either way,
none lurking in the tidal flats, or cafes.
I came to Savannah (A renegade tourist) for the lowland boil,
to catch a glimpse of the Cosmos explorer.
To see a sister of Mercy, on her mission of mercy.
This arrowhead was planted by an indentured servant
with a smoothbore musket- under a palmetto at Wormsloe,
up through a tunnel of live oaks, a mile and a half past the gate,
buried at the waterline, beside the tabby ruins.
Making a clearing took the longest.
They began mixing the tabby, with lime in short supply;
David Leeds snake bit and four hours to the garrison.
Days when they’d see the canoes
they’d rush inside the fortress and stare out the musket ports.
They came in the early dawn, beaching their canoes in the mist.
Silently approaching the camp, they watch unseen.
The animals stir first, smoke rising from the cook fire.
A servant appears, leaving the compound, cautiously crossing the clearing.
Like shadows they fade back towards the river.
The servant looks up as sunlight glints off a paddle;
Samoyos stands in the bow and sends a feathered shaft past the servant’s ear to settle,
quivering in the stockade door.
I picture it resting there these 400 years
now here in the north, as the renegades await winter;
think of how the Sea Islands must be-
warm breezes in December-
while on the high plains, I linger
with responsibility, desires, and a love for the cold thin air,
big skies and empty miles.
Yesterday
I have no appetite
For words or thoughts
Food or work.
I have little room,
And the time you used to fill, lingers.
I’m learning to be alone again.
I relied too much on you,
to let me forget my grief.
I must get down to the business of healing myself
Without thoughts of you
That let me hide my pain from myself.
So, until the pain is gone
And I’m free,
I’ll try to give you a smaller part of my world,
And hope this does not drive you out
Completely.
Escaped from the Dream book
In the dead of the night,
Trees still in late summer anticipation-
I’m in the half dream style
(which I am told can be entered at any time-
like a doorway)
light breeze from a window fan
caresses us as our Lord enters
Walks with us both
In separate dreamscapes.
He explains salvation
In a way I may forget in the morning,
The lessons, fortunately
Go on nightly
Through this joyous repetition
I am reborn.
Salud
“I am not a man, Emil!”
only a toddling figment
the floor abundant
the coup de grace
on the cul de sac.
The clever innuendo,
will get you in the end, though.
Soul blueprint
Time it was mapped out
Time you stepped inside
Walked around.
Cemetery cold
Silent light snow.
Wind free.
I saw your footprints there.
It was about learning the instruction manual
It was setting the permanent seal, on what came before.
The mindset you thought had value,
The energy expended.
All that time spent
Arriving at dead ends.
So- I can be in your mind
Your soul and your arms
At the same time?
Who’d of thunk it?
Ashes
Watched the centuries
from the dark edges
of the border camps.
Afraid of the fire.
Fear of the light
Left blindly groping
Along the bottom.
The Ark is sailing.
Christine
Is an Old Testament woman,
Walking the sands of the Holy land
Wearing a blue cloak,
Like the Theotokos
Gathering rocks for a shrine.
Late afternoon sun
Causes the heat waves to shimmer and die.
I know in this dream
How much I love her.
I feel how close she is to Earth and stone.
Proverbs, chapter 31
Hard working hands, calloused feet
Her woman\mother’s smile
And I her husband\son
To be taught and held,
Acquire balance.
The Sea of Galilee is near
And I (bearded and long haired)
Join her, and walk to the shore
Amidst the cries of gulls.
Sounds of fisherman putting in their boats
The wind blows in from the lake,
Scent of spices and oils,
Olives and sage.
We walk along the beach, arm in arm,
As the sun sets and the stars appear one by one.
Fires along the shore
Shapes dancing around them.
We dance together on the beach of an ancient sea.
Mary Magdalene
I’ve seen you in the inner city
I’ve seen you on the corner
You began to build
You rose from the dust
It is faith
That brought you where you are
That keeps you there
That keeps you where
His heart is.
If your life is a testament
If your life is a doorway
An offering this day
And a promise for tomorrow.
Shadow
Or, the Halloween visit of the tap-dancing anti mime.
I was the shadow of literature
A mere shadow of my former self,
Having no weight or breath.
It was not for lack of trying,
Only the shift in gravity.
It’s this preoccupation with the trivial
The dismissal of the spiritual
The saturation of the mundane.
Literature wears its heart on its sleeve.
Take the blinders off. Let the poetry go back to the streets.
A slam—what does that mean?
By all means take care of the poetic needs
Of affluent kids shelling out 10 G a year. But-
Don’t forget the poetry of the honky tonks,
Backsliders and blue-collar schmucks,
Drinking and roaring with wild angels-
Give them some damn poetry whether they like it or not,
Cast this shadow again-
It’s not just since renaissance,
Go back to King David.
Solace and inspiration.
Done
Perhaps it is only vanity
That tells me to leave the warts on my poems.
Perhaps I can’t let go,
Because I have learned to let go
Of so many other things.
In the end,
Since I have always had mixed feelings
About the sharing
(Of this work)
I can take what good there is,
If any,
Once finished, say done.
And goodbye.
Grace St.
I sit underneath that big Catalpa tree
On a sunny slope
The warehouse door
Only a few feet away- wide open
The din from the restless bears
Inside the dingy cave
Filters out and mixes
With the sounds from the derelict neighborhood
Acrid glue smoke pours out
Eye burning oils for the ghetto
A ship with no rudder
And no overhead
My first 10 years was worth
1800 dollars
If you smash your hand in the press
You get peanuts and a pink slip
Pride or a paycheck
Seasons
The ancients knew the seasons
Knew the tides
To grow and reap
Knew hide and feather and bone
Here in the new world
We watch the crash of the American dream
Credit card overextended
Children out of control
Two parents who could not
Would not
Agree
On anything
The bricks piled up
Lucky for them they’ve got cable
Lucky for me I don’t
Waiting for Mr. Postman
I didn’t go bad, there at the end.
He said you were a textbook case.
Maybe you went bad.
Maybe it just wasn’t your decade.
You can believe me. Here at the end
it’s so calm I can accept that.
It’s worth as much as all the attention
that’s paid out on the streets.
It filters through bottles in the cafes,
with palms and lip service.
Rises to the top of some damn heap.
Just don’t believe me.
All hard work and care mean is doing right without P.R.
If I could just put your mind in a vise,
jumble up some temporal lobes,
I might get your thinking machine
out of the black and white,
adjust your horizontal hold.
Just don’t believe me.
I didn’t go bad, there at the end.
Valhalla
Oil of Ole
gal I knew wore it everywhere.
Caulked her wrinkles with sprinkles.
Vayoz con doooox!
Hollering in print,
imprint
I can nudge you and budge you
ever so slight
once of twice, yes it’s nice;
just park out of sight
Sha-d livers and gizzards, and
cows- about them now
they ring through my shower
and echo down the hall.
Out to the pasteur looie
(20 blocks north of here)
they pop up in conversations with yours truly
look at my stove and squall and ball
yep. Hear em?
The moon says hello
Two halves or four fourths lonely
can’t seem to put you away
can’t say I think of you only
I mustn't, I couldn’t- I may.
I used to think of you
as the lady of the falling star
rising, then slowly stalling
far away
out where the street lights end.
I couldn’t put a finger on you’re beauty
you were vinegar to the ears
but candy too, your touch with tongues
too wild
too aimless
bound in the deep
well hidden pride
would not once
let you say
you loved me.
Basement
“Let me show you-“ she said.
“Seriously!”
Oh you ballerina you.
Plural, dos ballerinas.
You could be either of you today.
on the bath the sly the kitchen floor
with La Cucaracha's and the whiskbroom.
the garage band makes noise down here
SOMETIMES
Old typer and musical clutter
the old kerosene heater blew up one night and covered the keyboard players
Hammond B3 ivories with soot.
Our cat pissed on the bass mans amplifier covers.
that woman cast a spell on all my friends
and the basement lair.
I’m way past tense and submission;
dictate to me what the Hell you have to lose.
The lines were drawn because they were inescapable.
You are a different woman everyday,
and I can’t communicate with any of you!
Wives
I liked going to the closet and seeing the clean clothes
I liked seeing the laundry process
I preferred the pale one
to the dark
the open one to the closed
I was young with one
older and confused with the other
I liked the closing of doors
and those rare feelings we were the only ones
can you conjure that up?
or does it just blow in
sometimes like the mist
to be savored
There is not much one really controls?
is there.
Pardon me for being the arbitrator-
but I thought I could control the rhythms
and could instill the peacefulness
a young mans fantasy.
It’s been disproved.
One is right here in town
and I wish she was on Jupiter
the other is on a swampy seaboard
and I wish she was within arms length.
Columbia
He said, “Remember to put down the story of Hood River Blackie.”
The song in the background was Luke the Drifter Jr.
We pushed back our stools in a bar in Hood River.
I didn’t say much about myself.
I wanted to ask him how he’d come to the end of the world,
How I had gotten there.
Past the neon parking lot the mist shrouded the streets,
the river deep and silent,
the hills peering over my shoulder.
I could hear dogs barking up and down river.
I stepped through the door of my room,
caught the sound of a local band, tuning up
across the street, the parking lot filling.
This is home for one more night.
Tomorrow I catch the eastbound dog,
leave an old friend laid up, here in the mist.
Tonight I’m that old Rain Crow again,
lost on his fence post.
Cagey,
little bit so.
I don’t wonder
whether you’d want to know.
Not any more. Not for a while
Could you come up with a smile
on the spur of the moment?
I warrant you, there will be times you’ll need that baby.
You’ll concede your feelings
are not the drastic
all encompassing things,
they seem to be.
You are not for me. Funny, I always thought you were.
It will take some time to fit in with knowing
you are theirs, and his, and not mine.
Any time.
Somewhere down the line
you will say;
“Whoa! wait a minute- did I hear that right?”
And- no.
You didn’t. You were not listening or looking correctly.
You were not trying hard enough.
Taking turns
saying “what?”
Tornado
I’m sitting on a park bench
at the reservoir, a mile up from the dam.
Truckstop behind me, semi trailer park,
world’s biggest coffee pot.
Out on the lake, two bass fishermen
cast under the dead tree where the cormorants roost.
It’s nearly time for the football game on radio.
The wind is growing cold.
Above me, moving slowly to the south,
riding the high thermals,
(just dust motes at first)
I see a tornado of hawks.
Hundreds of them, in a tight spiral- way up, easing down the wind.
Migrating, I guess, without the desperation of waterfowl.
Leaving me to face another bitter Nebraska winter.
(Enquirer sez coldest in a hundred years)
Honestly, I used to love them,
but now out in the car on the frozen street, before daylight,
seat like an ice cube as your car struggles and goes into shock when it starts-
chills down the back of my shirt.
It’s age I guess.
One of these years, birds,
I might follow south, too.
Nighthawks
I watch the Nighthawks you know, when we are at the band concerts.
They keep in pairs; I would assume a monogamous relationship.
They scout out the buildings along the street,
dip into alleys, circle trees and flagpoles.
When I was a small boy, playing in the schoolyard, I would hear their booming,
caused by a rush of air when they make on of their
swooping descents.
I always thought there were Bullfrogs up on top of the schoolhouse.
I imagined some sort of shallow, swampy lake up there with big frogs puffing
out their cheeks and making these booming noises.
At some point in time I happened to look up and see one of those Hell dives;
hear that small sonic boom, and make the connection.
they have slacked off, here in town. Grown timid. Stay on the well-lit main drags.
Country Nighthawks still are noisy. You can count on them.
I tried to point them out to my daughter.
They wouldn’t cooperate.
Green Grocer
If we had one on our block
he’d be past the barbwire fence
where the unpainted birdhouses sit,
on the gateposts that are grown over with weeds.
That gate won’t swing.
I’ve not opened it these three years we’ve lived here.
Beyond that gate the green grocer
would plan what he’d put in;
not letting his garden run so wild.
That whole acreage,
dense and forbidding-
tended during storms by wild men, with soup bowl haircuts-
would turn heads, and profits.
Would not scare my children, my lawnmower, or me.
In the winter his plan makes sense.
In the depths of summer
he cannot stay ahead
of the jungle.
Enough
I’ve made enough rash statements
in my life.
So I take a moment and a deep breath,
to make sure I don’t let go another one.
I’ve acted without thinking,
enough times in my life.
So if I hesitate,
I’m thinking my action through.
I’ve drawn many conclusions
based on half truths-
So if I stop to withhold judgment,
it’s not mine to make.
I’ve entered many low conversations,
and stayed-
I’ll try to raise the bar
or leave
unspoken.
Prayer will suffice for times of doubt.
Guiseppe
The concierge lays planks
without a word of thanks.
Myopia,
is my opium;
fuzzy and glazed.
Guiseppe goes on a beer sabbatical,
a gibberish moratorium,
just for you.
He don’t know Chubby checker,
don’t know Fats Domino,
but we hang with Obese Parcheesi
And Tubby Canasta fo sho’
Guiseppe just wanted a little bite,
slight misunderstanding
por favor?
He did these things one time.
He won’t do them any more.
Pretend
They pretend not to know,
but they know.
They try not to recall,
but they’ve seen it all before.
They remember.
It’s hard to watch them perched on the precipice
preparing for the nosedive.
We don’t like the stories
about bitterness;
About preferring to be left alone.
It’s just healing,
it’s just being led home.
Mr. O. Blivious
there is a little door
deep down in the soul
underneath common awareness
he comes and goes;
you know who he is.
you might not want to admit it,
but you know who he is.
he’s always been there,
always will be.
so when I am Mr. O. Blivious
I get lost in the world
I don’t see him as any big threat,
there are sights and sounds
the rat race draws, that quiet inner self is really a lost cause, isn’t it?
too tough for me.
so he comes and stays in the little door,
and Mr. O. Blivious lets him abide.
run him out. keep him out. don’t let the world tell you he doesn’t exist.
he is far away from the caricatures of him.
he lives. in you.
But I have squandered the inheritance of your saints, and have wandered far in a land that is waste.
Book of Common Prayer Pg. 450
Bad Medicine-
Where is the release from it? Like Abel from Cain,
Muerte-
It’s all still with us. It’s the old news again.
The Spaniards rode up through the Staked Plains, The Llano Estacado, heat shimmering off their armor. They entered the foothills of the Rockies where the Purgatory flows. Black Eagle was camped with his band of Comanche there. “Who are these turtles who ride on the backs of magic dogs? We will see what they are.” The Spaniards talked loudly. They gave mirrors and trinkets. They set up camp upstream and fouled the water. At first light Black Eagle killed them and took their horses.
Repeat first part
Down on 16th street in the barrio, Mrs. Blackbird calls the Omaha tribal shaman to rid her house of evil spirits. She say’s, “You might want to watch this.” He arrives in a rusty Cadillac, wearing Conchos and a cowboy hat. He takes an eagle wing and dances around the foundation, brushing the stones. He lights sage and circles the house again purifying with smoke. As he finishes, the trees all around begin to fill with crows. We ask, “What’s with the crows?”
He replies, “That’s where I send them.”
On the far left, on the far right, the motives are the same.
that far over the line, extremes only remain.
The light of the world is hidden,
the ending now is plain.